Imaginative writing made easy
The Preliminary and HSC Module C units Reading to Write and Craft of Writing ask students to write in three different text types: Discursive, Persuasive and Imaginative.
The two biggest challenges that I see students come across when they set out to write an Imaginative piece is:
1. The word count is too short! How do I get to the point and still show my teacher that I’m doing all the things to get the marks?
2. How do I figure out what to write? What makes a great short story for school?
After years of reading teachers’ feedback, I’ve found that there are a couple of tricks to writing great imaginative pieces for school. Below I’ve written some basic, generalised advice for high school students of all ages and levels. For personalised advice and help with your imaginative, discursive and persuasive writing, contact me today to set up a one-on-one lesson.
1. Start in the middle
We’ve all seen this traditional narrative arc before: establish characters and setting, rising action creates points of tension, get to the climax, and then end with a resolution and a ‘new normal’ for the characters. But with only 800-1000 words students just don’t have the time to do that! So to help get to the point with your limited word count, you should start your story in the middle. Think: what’s the tension, what’s the trigger, what is the key challenge that’s going enact change in my main character? Start there! That’s where the most significant stuff happens in a story: discoveries about self emerge, people realise what they have to do to resolve a problem, and challenges are overcome. Establishing character and how they got to this point of tension can happen as your protagonist goes on their journey.
Starting in the middle also gives you the opportunity to use interesting narrative devices like flashbacks throughout the story, giving moments in the protagonist’s past greater metaphorical meaning and adding significance to this moment of tension.
2. Write what you know, but make it uncomfortable
Many writers and teachers suggest that you write what you know, but some of the most interesting advice I’ve heard from an author was to start the story somewhere uncomfortable for the protagonist – and if possible, for the reader! As characters attempt to diffuse this uncomfortable and challenging situations, it’s easy to establish characterisation and discoveries will naturally be made and lead to a resolution!
3. Make your reader feel like they’re trapped in your world from the first sentence
A rich, beautiful sense of place is so important in short stories. With short stories you must immediately engage and capture your reader and one of the easiest ways to do this is to tick off the five senses: what does the setting smell of, look like, sound like? Is it hot? Are they sipping on tea? Can they smell the salt in the sea breeze? Is it so humid that the moisture licks their skin?
Want to learn more about short story writing and get thorough, detailed feedback on your creative writing? Get in touch with me today to start achieving the results you want for your creative writing.